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題名 | 李安電影中的戲劇假扮--以《色|戒》為例=Playacting on the Films of Ang Lee: Lust, Caution as the Case Study |
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作者 | 張憲堂; Chang, Hsien-tang; |
期刊 | 臺北城市科技大學通識學報 |
出版日期 | 20160400 |
卷期 | 5 2016.04[民105.04] |
頁次 | 頁35-45 |
分類號 | 987.92 |
語文 | chi |
關鍵詞 | 李安; 張愛玲; 色|戒; 王佳芝; 扮演; Ang Lee; Eileen Chang; Lust, Caution; Wang Chia Chih; Playacting; |
中文摘要 | 戲劇的假扮是李安電影中的特色之一。張愛玲的《色,戒》以戲劇假扮執行誘殺行動為主要的情節,李安透過他的《色│戒》電影影像,呈現其所擅長的戲劇與電影影像之間的表演性。本文企圖先大致爬梳李安電影中戲劇假扮的特色,進而以《色│戒》影片中話劇社的扮演,來回顧劇中所處抗日時期的寫實主義戲劇演出,並從中探討該劇中主要人物王佳芝和易先生的扮演,最後討論李安使用戲劇假扮的影像意圖。 |
英文摘要 | Playacting is one of the most important elements in Ang Lee’s films. This skill is apparently seen in Ang Lee’s Lust, Caution. The main plot in Eileen Chang’s Lust, Caution is a kind of assassinating action with dramatic playacting. The research intends to look back to the dramatic performance by the dramatic club in the film. To go further, the research also explores the playacting of the two main characters: Wang Chia Chih and Mr. I, and it is necessary to discuss Ang Lee’s intention, the playacting of the adapter in the final part. |
本系統之摘要資訊系依該期刊論文摘要之資訊為主。