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題名 | 從順治史事到鄭成功史事--1949年後臺灣索隱派紅學歷史想像與國族認同遞嬗=Historical Events from Shunzhi to Koxinga: The Gradual Evolution of the Historical Imagination and National Identity in Taiwan Figurist Redology Since 1949 |
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作者 | 蕭鳳嫻; Hsiao, Feng-hsien; |
期刊 | 藝見學刊 |
出版日期 | 20141000 |
卷期 | 8 2014.10[民103.10] |
頁次 | 頁45-55 |
分類號 | 827.26 |
語文 | chi |
關鍵詞 | 紅學; 索隱派; 臺灣索隱派紅學; 歷史想像; 國族認同; Redology Figurists; Taiwan Figurist redology; Historical imagination; National identity; |
中文摘要 | 《紅樓夢》作者書寫,及索隱派與自傳派閱讀《紅樓夢》,都有當代西方小說「文學文本」(虛構的作品、特別的表達方式、美學的價值與距離、書中內容不與日常生活混淆),與「文化文本」(為了獲取不可隱瞞的真相、身分認同,提供中介、通過此文本保證自己的認同、為靈魂提供住所)兩種特色的呈現。索隱派紅學將《紅樓夢》視為「文化文本」,藉著還原其中史事的真相,提供讀者自我身分認同。其成果從清代家事說開始,到近代勢力範圍最大,哀故朝而譏滿清、排滿復漢的國族身分認同說。因此,研究索隱派紅學,不宜只站在「文學文本」角度,遺忘「文化文本」分析。只批評文學批評方法的附會,不見國族認同與歷史想像的建構過程。故本文選擇1949年後台灣索隱派紅學,從順治史事到鄭成功史事的承接與演變過程,寓含的歷史想像與國族認同遞嬗進行研究。 |
英文摘要 | The writing of the author and the reading of the Figurists and the Autobiography School about 'A Dream in Red Mansions' both feature the "literature text" (fictional works, special means of expression, the value and distance of aesthetics and the content without confusion with the daily life) and the "cultural text" (providing mediation, guarantee the self-identification by the text and shelter the souls to acquire the facts that can not be hidden) in contemporary western novels. The Figurists regard 'A Dream in Red Mansions' as a cultural text, by restoring the facts of the history in it to provide the self-identity of the readers. Its achievements originated from the theory of family affairs in Qing dynasty and maximized to a national self-identity theory in modern times, mourning the former dynasty and ridiculing the Qing dynasty, as well as ejecting the Manchu and reviving the Han nationality. The Autobiography School clarified the process of objective criticism in literature text, and gained the dominant position in literature criticism. However, followed the way of unscrambling it as the self-identity by Cao xueqin because they did not give up the reappearing of self-identification historical event in cultural text. Consequently, in the studying of the Figurist and Autobiography Redology, it is improper to stand only in the angle of literature text but forget the analysis of cultural text, or only to criticize the strained interpretation of the way of literature criticism, but turn a blind eye to the construction of the culture identity. So the paper chose the Taiwan Figurtist Redology since 1949 to study the gradual evolution in the historical imagination and national identity during the process of historical evens from the Shunzhi to Koxinga. |
本系統之摘要資訊系依該期刊論文摘要之資訊為主。