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題名 | 東西方新媒體藝術之研究--以AEC 25年展與YCAM 2006展為例=A Case Study of Eastern and Western New Media Art--ACE Digital 25 Years Exhibition and YCMA 2006 Media Exhibition as an Example |
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作者 | 梁又文; 梁桂嘉; | 書刊名 | 耕莘學報 |
卷期 | 8 2010.06[民99.06] |
頁次 | 頁94-107 |
分類號 | 901.8 |
關鍵詞 | 新媒體藝術; 科技; 設計; 東西方文化; New media art; Technology; Design; Culture of eastern and western; |
語文 | 中文(Chinese) |
中文摘要 | 本研究之目的,在於分析東、西方新媒體藝術之展覽與作品設計的異同,進一步探究兩者之間尚未被發現的特質。經由文獻分析,本研究以新媒體藝術之評比指標,針對「日本山口情報藝術中心」與「奧地利電子藝術中心25年展」兩個東、西方之個案進行實地研究。本研究之結果可歸納兩個主要結論,其一為西方作品重視實用、感應與光影呈現為主,並傳達創作者的理念與兼顧未來實用性發展,反映西方將科技與藝術的整合。其二為東方作品在意念和呈現上較多元,且具有明顯的東方風格,重視「傳承」的概念,作品亦結合跨領域的表演藝術,並藉由教育和娛樂的方式吸引民眾。 |
英文摘要 | This study attempted to investigate the differences of eastern and western media art between exhibitions, creations, and design styles. Further, the study analyze the eastern and western characteristics of media art. Document analysis was used to integrate and analyze the scale of new media, then via exhibitions of AEC and YCAM to do case study. Research results were as followed: 1. Western creations focus on utilization, reaction, and lighting, not only presented the idea from authors, but also considered future development. The condition reflected that western artist combined technology and are. 2. Eastern creations had multiple ideas and forms in media art, and develop a significant style. Eastern creations also put emphasis on r pass on tradition, and via combined performance, education, and entertainment to attract people. |
本系統之摘要資訊系依該期刊論文摘要之資訊為主。