查詢結果分析
相關文獻
- 傷勢/傷逝:《2046》中的時空重返
- 《2046》中的時間指涉:連續性與斷裂性與永恆回歸
- 排演、重複與愛的幻覺--分析王家衛的《花樣年華》
- 知覺以及作業脈絡對圖字配對中重複促發效果的影響
- 《蘇州河》,城市記憶,和觸感電影
- 先進DBFIB/FETEM之檢測技術應用在奈米材料、相變化記憶體與顯示器元件(下)
- 先進DBFIB/FETEM之檢測技術應用在奈米材料、相變化記憶體與顯示器元件(上)
- 一個由BAM和Hamming Net組合而成的神經網路
- Studies of Trans RNA Interference of SCA8 CTG Trinucleotide Repeats Expansion
- 從敘事學看〈戴眼鏡的PS小姐〉
頁籤選單縮合
題名 | 傷勢/傷逝:《2046》中的時空重返: |
---|---|
作者 | 蔡秀枝; |
期刊 | 中山人文學報 |
出版日期 | 20061200 |
卷期 | 23 民95.冬 |
頁次 | 頁157-188 |
分類號 | 987.9281 |
語文 | chi |
關鍵詞 | 王家衛; 敘事學; 聚焦; 記憶; 重複; 米姬‧巴爾; 德勒茲; 列斐弗爾; 2046; Wong Kar-wai; Narratology; Focalization; Memory; Repetition; Mieke Bal; Gilles Deleuze; Henri Lefebvre; |
英文摘要 | This paper addresses the question of the narrative function played by the tangled repetitive fragments of various love affairs and memories of Chow Mo-Wan (Leung Chiu-Wai) in Wong Kar-Wai's mavie 2046 in terms of the narratological analysis, Mieke Bal's narrative focalization, Deleuze's concept of memory and repetition, and Henri Lefebvre's discourse on the function of space production and reproduction on the stage of the lived representational space. The fragmentary love affairs, represented as incessant re-visions of a long lost love affair, play an important narrative function, which not only increases the protagonist Chow's memory sediments and sentimentality but also conflates the cultural significance and aesthetic depth that the movie's special and complicated visual aesthetics would have aimed to bring forth-to seemingly make everything stuck to the promise of a world that never changes. The dexterously recorded and transcribed fragments of love successfully create a de-contextualized arena to entrap their characters and allow the movie viewers/readers to re-inscribe different kinds of wound/mourning on the fragmented love stories and the im/possible love objects. |
本系統之摘要資訊系依該期刊論文摘要之資訊為主。