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題名 | 整合聲音、影像、文獻紀錄之文創類型展示媒體研究=The Study of Applying Creative Media and Exhibit Design to the Integration of Sounds, Images and Data in Cultural-creative Curation |
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作者 | 蘇佩萱; Su, Pei-hsuan; |
期刊 | International Journal of Digital Media Design |
出版日期 | 20161200 |
卷期 | 8:2 2016.12[民105.12] |
頁次 | 頁43-56 |
分類號 | 962 |
語文 | chi |
關鍵詞 | 視覺傳播; 展示設計; 文化符碼; 文創策展; Visual communications; Exhibit design; Cultural code; Cultural-creative curation; |
中文摘要 | 二十一世紀聲響技術和影像科技蓬勃發展,現今傳播媒介因跨科際整合之數位科技而有嶄新的形式結構、美學意涵,其內容亦呈現出不斷延異的變貌。本文針對整合性的資訊再現方式,剖析文創策展人如何將歷史文獻、音像和影像圖片數位化,並據以創新展示,徹底改變傳統藝文展示空間中依據人文藝術專業取向之策展思維為主導,強調科技與人文的結合、觀者於藝術活動之參與。通過運用媒體科技以創造一個個超真實的體驗環境,這種當代再現歷史及文化資產的展示形式,能使觀者於文創展演平台找到新的感知角度和建構不同的認知意義。本文藉由發展個案研究,說明如何將創新的軟性電子音響(FleXpeaker ^(TM))加以設計運用,作者先將歷史性或社會性的文本資料加以視覺化,從拆解訊息到運用設計符號為載體進行視覺編碼,後續使影像文本印製結合在紙音響上,用以轉換成特定的聯動感官知覺的展示物件,以視聽整合的方式刺激參觀民眾的想像力,將事件、歷史時空背景和現場環境的訊息融合,形成新的美感體驗。本文發現當代文創策展人試圖在展示空間與新興媒體搭配,可以是運用如軟性電子材料等新興科技媒體,將社會的、歷史的文本內容進行擬像轉義,活化當代國民生活的共同記憶。因而,以混雜多元之異質化、交互跨越之「超文本」、符碼轉換下「超真實」三項觀點,論述當代展示形式混雜多重,改變了視覺傳播的性質、內容和展示使用載體,趨使當代文創策展人必須進行跨科際整合之設計創新。 |
英文摘要 | The Digital Information communication and new media technology have the immense impact on the development of modern society and contemporary art. Within the new media revolution, the shift of old culture to computer-mediated forms of production, distribution and communication have make people start thinking about how to combine art and design with technology. Because of its appealing characteristics, such as variability, transcoding, and interaction in relation to multiple professions and disciplines, the invention of digital devices and contents has revolutionized the quality of sound, image, and data, the way in which they are contemplated, and the forms of art that produce activities and aesthetics concepts. The reproduction of contemporary sounds and images leads to the hyper-real scenes at the exhibit spaces in Sun Yun-Suan Memorial Museum in Taipei. Through the experimental practices of combing sounds, images and historical data, the museum brought together the curators, historians, scholars, sound engineers, and image-design experts in data visualization. The researcher employs case study method to discuss the main question: Could we create artistic practices in combining sounds, images and data in terms of the Aesthetics of the meta-interpretation approach? In addition, for the pulse of the times and trends, the research delves further into the new media-FleXpeaker^(TM), as the carrier. In return, the social-context data are visualized and transcoded into specific images and life photography printed upon both sides of the surface of FleXpeaker^(TM), as well as with sound effects to stimulate visitors' imagination of the events, the time and the underlying environment. As the result, the exhibition devices and design objects do help visitors to realize the significance of diverse elements of sounds, images and data in relation to its cultural-heritage representation. |
本系統之摘要資訊系依該期刊論文摘要之資訊為主。