頁籤選單縮合
題名 | 嚴歌苓小說〈白蛇〉的交響式話語=The Symphonic Discourse in "White Snake" |
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作者 | 張莉涓; Chang, Li-chuan; |
期刊 | 聯大學報 |
出版日期 | 20141200 |
卷期 | 11:2 2014.12[民103.12] |
頁次 | 頁81-98 |
分類號 | 823.6 |
語文 | chi |
關鍵詞 | 白蛇傳; 嚴歌苓; 對話論; 官方; 民間; 戲謔; White Snake; Yan Geling; Grandiose narrative; Jocular narrative; |
中文摘要 | 〈白蛇傳〉是中國四大民間傳說之一,人蛇戀的禁忌神話經嚴歌苓(1958-)以脫胎換骨的方式改寫為〈白蛇〉,小說中的兩位主角,既是「男/女」,亦是「女/女」,既有柏拉圖式浪漫愛情的淒美,又表現出殘酷人生中的巨大現實。作者以互文方式與傳統的白蛇故事遙遙相映,同時採取三種相互補充又相互矛盾的聲音,交錯出不同階級者對同一事件的不同表述,鋪展出文革時期喧嘩荒謬的場景。本文擬以巴赫金(M. M. Bakhtin,1895-1975)「對話論」的角度,探索文革世代作家以新穎的多聲並現方式,對文革與人性所作的反思。 |
英文摘要 | "The Legend of the White Snake" is one of the four Chinese famous folk tales which composed of surreal mythical discourses. "White Snake" was the story which rewritten by Yan Geling(1958-) , showing the relationship between to the platonic romance pathos, but also showing the brutal reality of life through the two of the main characters. Yan try using intertextuality way to connect traditional Chinese folktale "The Legend of the White Snake", and also arranged three complementary and mutually contradictory voices to create different representations of the same event, laying on display during the Cultural Revolution hubbub ridiculous scene. This study is using the perspective of Bakhtin's "Dialogism", tries to figure out the different way of the Cultural Revolution and humanity by reflection. |
本系統之摘要資訊系依該期刊論文摘要之資訊為主。