頁籤選單縮合
題 名 | 符號學到現象學轉向--朝向攝影本體的閱讀行為=From Semiology to Phenomenology--The Transformation of Photography Reading Behavior |
---|---|
作 者 | 周郁齡; | 書刊名 | 藝術論壇 |
卷 期 | 3 民94.05 |
頁 次 | 頁173-192 |
分類號 | 950 |
關鍵詞 | 直義; 延伸義; 顯義; 鈍義; 知面; 刺點; 此曾在; Denoted; Connoted; Obvious meaning; Obtuse meaning studium; Punctum; Ça a été; |
語 文 | 中文(Chinese) |
中文摘要 | 由羅蘭.巴特對攝影圖像閱讀研脈絡中,約莫能理解攝影閱讀行為逐漸由文化體系回歸至技術體系的過程,先由早期文章《攝影訊息》(1961)與《攝影之修辭學》(1964)開始,將攝影放置在自身內部結構分析,試圖為一直以來被認為只能單純複現(直意)的無深度抗辯,在這裡巴特試圖為攝影加深它在人文知識歷史等延伸意涵。1970年的《第三意》巴特試圖將外於資訊、象徵等意義的閱讀放大研究,它便是第三意-鈍意,讀者自身能夠清楚它的特性,卻不知它的所指為何。《明室》(Camera Lucia)背離攝影內在結構的框架,正切合普遍對攝影圖像的閱讀態度,這裡他寧可用非專業、素樸的眼光,轉而借用現象學方法,以「我」為中介者認識攝影。這是回歸觀者素樸、普遍的觀看態度,正如我們面對家庭相片一般,何為能指引發的所指意涵一切都不重要了,觀者直截將複現物直指指稱對象,就像某人拿出相片指著相中人說,你看,他是我兄弟。此時,觀者的閱說態度方從文知等等非本質體系,回歸至視覺技術本體。 |
英文摘要 | Falls to the photographic image reading research from Roland Barthes, We can understand the photographic reading behavior gradually returns by the cultural system to the technical system process. First starts by the early article “La message photographique” (1961) and “Rhètorique de l’image” (1964), He analyzed the photograph in it own internal structure, and contradict that photograph be considered only can duplicate does not have the depth, in order to extend it in the humanities knowledge and history to contain. “Le troisième sens: Notes de recherché sur quelques photopgrannes de S. M. Eisenstein,” (1970) Roland Barthes try to enlargement the research about something outside the significance, information, and symbol reading, that is obtuse meaning. The reader own can be clear it the characteristic, actually did not know why it does refer. “Camera Lucia” departs form the photographic image reading manner. He rather used the non-specialized judgment, turn to phenomenology This is returns view simple, universal watches the manner, just like we are ordinary facing the family photograph, Spectator will be direct the reappearance straight refers the object. |
本系統中英文摘要資訊取自各篇刊載內容。