頁籤選單縮合
題 名 | 日治時期臺灣藝妲之演出及其相關問題探討=Performances and Related Problems of Taiwanese Geishas under Japanese Occupation |
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作 者 | 陳慧珍; | 書刊名 | 民俗曲藝 |
卷 期 | 146 2004.12[民93.12] |
頁 次 | 頁219-261 |
專 輯 | 「臺灣傳統戲曲研究」專輯 |
分類號 | 980 |
關鍵詞 | 日治時期; 藝妲; 藝旦; 藝妓; 女戲; Taiwan under Japanese occupation; Taiwanese geisha; Woman play; |
語 文 | 中文(Chinese) |
中文摘要 | 日治時期的臺灣藝妲是一個十分特殊的角色。她們本是在酒樓茶肆中彈唱侑觴的女子,與中國傳統歌妓不殊。日治初期,臺灣戲曲界受到上海女班的影響,開始有女性演員出現,最先開始登臺演劇的女性即是藝妲,這使得臺灣藝妲因為首開臺灣女性演劇之風而在臺灣戲曲史上佔有關鍵性地位,而藝妲戲的風行,更顯現出藝妲曾在臺灣戲曲界綻放它的光華。藝妲的存在,植根於都市經濟的發展與酒樓等娛樂場所的繁榮,在日治時期曾經繁華一時,藝妲的由盛轉哀,反映出時代環境的遞變。時至今日,藝妲雖已不復存在,然而她們在臺灣戲曲史、社會史上卻具有一定的價值。本文試圖在前人的研究基礎之上,分別從藝妲的來源、藝妲的演出形式與演出場合、藝妲的流行地區與流行概況以及藝妲的變遷等幾個面向探究,以期對藝妲有更深入而明晰的認識。 |
英文摘要 | Taiwanese geishas played a special role under Japanese occupation. Originally, they were only cupbearers in taverns. They became significant in the history of Taiwanese play for germinating woman play. Geishas that rooted in the economic development and prospering tavern business once flourished under Japanese occupation. The declination of geishas reflected the change of times. Geishas no longer exist at present time, but they were important in the history of Taiwan play or the histories of society. Based on the past researches, I try to trace characteristics of geishas under Japanese occupation by studying their origins, the forms and locations of their performances, and changes in their popularity. This paper will contribute to a clear and deeper understanding of Taiwanese geishas. |
本系統中英文摘要資訊取自各篇刊載內容。