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題名 | Lingering at the Liminality: Conrad's Narrative Limitation and His Post-colonial Discontent in Heart of Darkness=徘徊於灰色場域:康拉德小說「黑暗之心」中的不確定性 |
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作者 | 石耀西; Shih, Yao-hsi; |
期刊 | 中山人文學報 |
出版日期 | 19990800 |
卷期 | 9 1999.08[民88.08] |
頁次 | 頁185-204 |
分類號 | 873.57 |
語文 | eng |
關鍵詞 | 若瑟康拉德; 黑暗之心; 父權意識形態; 模稜; Joseph Conrad; Heart of Darkness; Patriarchal ideology; Ambivalence; |
中文摘要 | 本文旨在分析若瑟.康拉德的小說<黑暗之心>中的兩個爭議焦點。論文首先解 讀艾哲北詮釋小說黑╱白、異╱己、優╱劣二元對立的迷思;亦即,艾哲北雖勾勒出女殖民 主及女殖民奴的「對位式」主從關係,但他忽略了文本底層父權意識形態的敘述機制。其二 ,本文闡釋小說中敘述主體馬羅的多重聲音。小說文本不僅超越了傳統殖民╱反殖民的論述 架構,更營造出一個立體的表意空間,藉由聲音不斷重疊、辯證與互動,呈現出小說的「模 稜」面貌。 |
英文摘要 | Contemporary commentaries tend to either reduce Heart of Darkness to a narrative of racism or an anti-colonial accusation of Western hegemony. The issue of its textual ambivalence has been partially excavated and scantily exhausted. In this essay, I will first challenge the biased charge against Conrad as a racist, and demonstrate that the text is more of a gender issue than a racial one. In this patriarchal narrative, white women's and the black mistress' access to the colonial power is discursively denied. The submissions of female characters suggest the narrative mechanism of Conrad's patriarchal ideology, which conscripts them into the social mission of colonialism. Then, I will further argue that Marlow's moral censure of colonialism and his contradictory, pigeon-hearted connivance with it make Heart of Darkness ambiguous, rather than unequiveocally post-colonial. Despite his narrative limitation and textual ambivalence, Conrad voices his post-colonial discontent by critiquing colonialism as an example of madness, stressing the materialistic impact on mankind. The spectrum of these diverse views presents a hazy textual terrain, which is neither monochromatically racist nor post-colonial and thus features the liminal nature of the novella. |
本系統之摘要資訊系依該期刊論文摘要之資訊為主。