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題名 | 德布西的「觸技曲」--「給鋼琴的」=Debussy's 「Toccata」--「Pour le Piano」 |
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作者 | 吳佩瑤; Wu, Pei-iao; |
期刊 | 華岡藝術學報 |
出版日期 | 20030600 |
卷期 | 7 2003.06[民92.06] |
頁次 | 頁1-24 |
分類號 | 917.12 |
語文 | chi |
關鍵詞 | 德布西; 觸技曲; 複節奏; Debussy; Toccata; Polyrhythm; |
中文摘要 | 簡略說明觸技曲曲式的緣起與發展,進而對德布西『給鋼琴的』組曲中第三首「觸技曲」進行分析,並針對技巧、音樂詮釋,及四位演奏者的演繹方式作探討比較。 |
英文摘要 | The origin and development of Toccata musical form was briefly addressed. Debussy's <Toccata>, the third piece of <<Pour le Piano>>, was analyzed in this article. Furthermore, comparison among four pianists in terms of techniques, musical interpretation, as well as performance styles was also discussed. |
本系統之摘要資訊系依該期刊論文摘要之資訊為主。