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| 題 名 | 中國歷史上哲學範疇「和」的形成=The Formation of the Philosophical Category of “He” (Harmony) in Chinese History |
|---|---|
| 作 者 | 郭齊; | 書刊名 | 中國文哲研究集刊 |
| 卷 期 | 16 民89.03 |
| 頁 次 | 頁451-466 |
| 分類號 | 120 |
| 關鍵詞 | 哲學範疇; 和; 形成; Philosophical category; Formation; He; Harmony; |
| 語 文 | 中文(Chinese) |
| 中文摘要 | 中國古代哲學範疇「和」的形成,經歷了一個漫長的過程。在甲骨文、金文中,「和」字已經屢見不鮮。它的本義是「人或動物互相跟著發聲」,即應和。由指聲音的彼此呼應引申為指聲音的和諧,又進一步引申為泛指一般事物的和諧,從而形成了「和」的中心義。圍繞「和諧」這一中心,「和」輻射出種種引申義,廣泛運用於人、事、物、自然、社會等各個領域。其中,用指陰、陽二者關係的「和」,超越了個別具體的對象,表現出更為抽象、普遍、一般的性質,具有較為明顯的哲學意味。至春秋時期,經晏子、史伯等思想家的概括發揮,「和」終於成為與「同」相對的重要哲學範疇。 |
| 英文摘要 | The establishment of the philosophical category of “he” (“harmony”) was a long process in Chinese history. Already, in the Shang Dynasty inscriptions on bones or tortoise shells, the word “he” was regularly used. Its original meaning then was that humans or animals called out to each other, producing sounds together. Thus one sound echoed another. From this beginning, the meaning of “he” gradually changed to mean the harmoniousness of the sounds. Further, it could mean harmonious relations between things in general. In this way, the central meaning of “he” came into being. Around this central meaning of “harmony,” “he” took on many kinds of extended meanings having to do with humans, situations, objects, nature, society, and so forth. Among these, the idea of “he” between Yin and Yang transcended any specific, concrete objects. It seemed to be more abstract, universal, and general, and thus had a more obvious philosophical significance. By the Spring and Autumn Period, by means of summarization and intellectual development by such thinkers as Yen-tzu and Shih Po, “he” finally became the important philosophical category opposite to “t'ung” (sameness). |
本系統中英文摘要資訊取自各篇刊載內容。